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Sullo spigolo dei silenzi

series of 60 pieces - photos on silk ,120x140cm each, 2017 on going
 

The series  Sullo spigolo dei silenzi "On the Edge of Silences" tells how race, ethnicity, as well as gender are socially constructed categories, imagined and invented by the society. The omnipotence of digital media and social networks commodifies every body and at the same time intensifies structural differences and inequalities through access to the technologies that really drive the market.

Collecting the stories of queers, of multiple and indefinite identities who live their sexuality as a defect or as a psychological problem dictated by public opinion, I took pictures of parts of their bodies making them indefinite, and then printed on a semi-transparent silk from which you can see both sides and then sew them together as a metaphor for the violence and exclusion dictated by society against those who are perceived as "other".

Photo by: Jana Kießer

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Social Atmosphere

collage, painting 70x50cm, 2022
 

10 years after the Roma and Sinti memorial in Berlin, the collage covers various political and social issues of recent years. From the pandemic, to the various forms of racism, as well as the various protests that have marked an important change; from the explotation of refuges and Italian nomad camps to the figure of the Roma woman who wants to be recognised in her true biography.

The collage leaves open the reflection of a past, a present and an uncertain future.

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Roma Camps in Italy - the architectural expression of state racism

Collage, photos, oil paint,  60x42cm, 2022

The camp is the place where those perceived as different are confined, a technology of power and at the same time a device of governance. The 'nowhere', the 'non-place', where those who are considered "humanities of excessis" are relegated. The camp is the place where subjects, having lost their individuality, harnessed to massifying bureaucratic categories, redefine themselves on the basis of these same practices and categories. In this collage I have collected photos of different nomad camps from various Italian online newspapers that use racist articles to illustrate the degradation of people living in extreme social marginalisation.

Foto by: Jana Kießer

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Roma Camps in Italy - the architectural expression of state racism

Collage, photos, oil paint,  60x42cm, 2022

Photo by: Jana Kießer

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Romnjadigitalised

Collage, oil painting, 47x57cm, 2022


The collage explores issues of Roma identity and feminility and the politics and poetics of its visual representation. Creating through intervention with paint, dense images that almost metaphorically follow the friction and conflicting realities of ideas related to being an artist, Roma and woman in search of a way to exist in between, to be multiple, to remain irreducible.

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Cosa vuol dire essere Romnia?!

oil on canvas, wool, 120x140cm , 2022

Part of a new series that through the use of different media explores the possible interpretations, political identities and visibility of the bodies of real and imagined Roma women.

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Über Land Gehen

oil on canvas, 130 x 153cm, 2022
 

The painting depicts faceless bodies moving in a dreamy landscape on a boat in search of somewhere to go.

Dedicated to those lost on the Mediterranean route.

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The Drowned World

Installation - Performance, various materials

Bregenz, 2019

 

Borrowing the title from J. G. Ballard's apocalyptic novels from 1962, the performance "The Drowned Word" symbolically activates a drinking trough for cows connecting it to the ambiguous meaning of ‘well poisoning’, an age-old form of terror as well as a pretext to falsely blame foreigners and ethnic minorities.

The performance took place shortly after the European elections at the height of Matteo Salvini's racist campaign against immigrants.

A body floats in black putrid water–– black from hatred, indifference and contempt.

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Fragilità Ermetica
Installation – Performance 

bubble wrap, wood, mirrors, honey

Spazio Cut, Milan, 2018

Fragilità Ermetica (Hermetic Fragility) is a dreamlike, dreamy, alienating reality, that distances us from all previous convictions and leaves us in complete silence, doubt. The current policies and rhetoric of exclusion, refoulement and identification for Roma, migrants and asylum seekers unfortunately remind us that the stakes are not only military but also biological.

Our identity has taken on a thousand nuances and our body, enclosed and sealed in a space, as in a cocoon, awaits a transformation, a change.

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©2022 Luna De Rosa

Mnemosine

Performance - Installation 
San Carpoforo, Milano , 2017

The term Mnemosyne comes from the Greek  and means remembrance, memory.

In this performance I am wrapped in bubble wrap, which packs and protects me at the same time. The mask I wear in a theatrical way hides me from a thousand or no identities and in the meantime a video projecting molecules and blood cells is projected onto my body.

As people become part of the performance, I invite them to wear a mask that cheers me up to feel part of a social theatrical fake.